About

I see producing as creating the right environment for stories and filmmakers to thrive. For me, that means nurturing ideas, supporting creative decisions, solving problems collaboratively, and building the trust needed to bring projects to reality. Producing See You in the Dark reinforced the importance of persistence, resourcefulness, and grassroots filmmaking, while Sellout strengthened my belief that filmmaking isn't the work of one and everyone can use the additional support, no matter where you are in the hierarchy.

Creating ambitious work without compromising the well-being, access needs, and personal lives outside of this is something that crews struggle with, given the high-demand and labour of working in those environments. This is something I don't want to encourage as a producer early in my career.

My technical experience started at Elstree University Technical College, where I shadowed on sets of Elstree Studios. I later graduated in Film at the University of Westminster and have since worked on independent film and TV projects. Recent credits include Never Seen The Sea (BBC Films) and In Dreaming (BFI Network). Prior to this, I worked in-house at indie companies New Pictures (All3Media) and 42 Management & Productions, supporting across their project slate.

I value collaborators who care about artistic instinct, not only about the stories they tell, but the way those stories are made; building partnerships through openness, respect, and a shared commitment to sustainable filmmaking.